:„Verspielte Hoffnungen und gute Absichten”: Lektüre der Theaterstück von Edward Albee *Wer hat Angst vor Virginia Woolf?* im Lichte der Bourdieus Theorie

Ebrahim Salimi-Kouchi, Mohsen Rezaeian

Abstract


Der Band enthält die Abstracts ausschließlich in englischer Sprache.


Schlagworte


Bourdieus Theorie; Edward Albee

Volltext:

PDF (English)

Literaturhinweise


Albee, E. (1962): Who's Afraid of Virginia Woolf: A Play. New York: Scribner.

Bennett, T. (2007): Habitus Clivé: Aesthetics and Politics in the Work of Pierre Bourdieu. New Literary History. 38.1: 201-228.

Bourdieu, P. (1984): Distinction: A Social Critique of the Judgment of Taste. London: Routledge.

Bourdieu, P. (1990): In Other Words. Stanford: Stanford University Press.

Bourdieu, P. (1986): The Forms of Capital. Trans. Richard Nice. The Handbook of Theory and Research for the Sociology of Education. Ed. John G. Richardson. New York: Greenwood. 243-48.

Bourdieu, P. (1990): The Logic of Practice. Trans. Richard Nice. Stanford: Stanford University Press.

Bourdieu, P., Passeron, J. C. (1977): Reproduction in Education, Society and Culture. London: Sage.

Bourdieu, P., Wacquant, L. J. D. (1992): An Invitation to Reflexive Sociology. Chicago: The University of Chicago Press.

Chandler, B. (2013): The Subjectivity of Habitus. Journal for the Theory of Social Behaviour. 43.4 : 469-91.

Clum, J. M. (2005): Withered Age and Stale Custom: Marriage, Diminution, and Sex in Tiny Alice, A Delicate Balance, and Finding the Sun. The Cambridge Companion to Edward Albee. Ed. Stephen Bottoms. Cambridge: Cambridge University Press. 59-74.

Davey, G. (2009): Using Bourdieu’s Concept of Habitus to Explore Narratives of Transition. European Educational Research Journal. 8.2: 276-84.

Dosse, F. (1997): History of Structuralism: the Sign Sets, 1967-present. Vol. 2. Trans. Deborah Glassman. Minneapolis: University of Minnesota Press.

Falvey, K. (2010): Dark Humor in Edward Albee’s Who’s Afraid of Virginia Woolf? Bloom’s Literary Themes: Dark Humor. Ed. Blake Hobby. New York: Infobase Publishing. 241-49.

Jenkins, R. (1992): Pierre Bourdieu. New York: Routledge.

Kolin, P. C. (2005): Albee’s Early One-Act Plays: A New American Playwright from Whom Much Is to Be Expected. The Cambridge Companion to Edward Albee. Ed. Stephen Bottoms. Cambridge: Cambridge University Press. 16-38.

Konkle, L. (2003): Good, Better, Best, Bested: The Failure of American Typology in Who’s Afraid of Virginia Woolf. Edward Albee: A Casebook. Ed. Bruce J. Mann. New York: Routledge. 47-63.

Lovell, T. (2000): Thinking Feminism with and against Bourdieu. Feminist Theory. 1.1: 11-32.

Malkin, J. R. (1992): Verbal Violence in Contemporary Drama: From Handke to Shepard. Cambridge: Cambridge University Press.

Niro, B. (2006): The Social and the Cultural: Michel de Certeau, Pierre Bourdieu and Louis Marin. Modern European Criticism and Theory: A Critical Guide. Ed. Julian Wolfreys. Edinburgh: Edinburgh University Press. 292-301.

Orser, C. E. (2004): Race and Practice in Archaeological Interpretation. Pennsylvania: University of Pennsylvania Press.

Roudané, M. (2005): Who’s Afraid of Virginia Woolf?: Toward the Marrow. The Cambridge Companion to Edward Albee. Ed. Stephen Bottoms. Cambridge: Cambridge University Press. 39-58.

Swartz, D. (1997): Culture and Power: the Sociology of Pierre Bourdieu. Chicago: University of Chicago Press.

Thompson, J. B. (1991): Editor's Introduction. Language and Symbolic Power. By Pierre Bourdieu. Cambridge: Polity Press. 1-31.

Thorpe, H. (2009). Bourdieu, Feminism and Female Physical Culture: Gender Reflexivity and the Habitus-Field Complex. Sociology of Sport Journal. 26: 491-516.

Wacquant, L. J. D. (2006): Habitus. International Encyclopedia of Economic Sociology. Eds. Jens Beckert and Milan Zafirofski. London: Routledge. 317-21.




DOI: http://dx.doi.org/10.17951/lsmll.2015.39.2.50
Date of publication: 2016-03-31 09:33:46
Date of submission: 2016-03-30 10:44:29


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