Frühe Detektivromane von John Dickson Carr und gotischer Roman

Joanna Kokot

Abstract


Der Artikel enthält Zusammenfassungen nur in Englisch.


Schlagworte


Carr, John Dickson; detective fiction; Gothic fiction; Grand Guignol

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Literaturhinweise


Ascari, M. (2007). A Counter-History of Crime Fiction. Supernatural, Gothic, Sensational. Basingstoke: Palgrave Macmillan.

Carr, J. D. (1960). Castle Skull. New York: A Berkeley Medallion Book.

Carr, J. D. (1964). The Three Coffins. In J. D. Carr. The John Dickson Carr Treasury. The Three Coffins. The Burning Court (pp. 1-187). New York, Garden City: Nelson Doubleday, Inc.

Carr, J. D. (1984). The Corpse in the Waxworks. New York: Collier Books, Macmillan Publishing Company.

Carr, J. D. (1985). The Lost Gallows. New York: Critic’s Choice Paperbacks, Loveran Publishing, Inc.

Carr, J. D. (1986). It Walks by Night. New York: Zebra Books, Kensington Publishing Corp.

Cook, M. (2014). Detective Fiction and the Ghost Story. The Haunted Text. Basingstoke: Palgrave Macmillan.

Dine, S. S. van. (1946). Twenty Rules for Writing Detective Stories. In H. Haycraft (Ed.), The Art of Mystery Story (pp. 189-193). New York: Grosset and Dunlap.

Greene, D. G. (1991) John Dickson Carr: The Man Who Created Miracles. In J. D. Carr (Ed.), The Door To Doom and Other Detections (pp. 9-26). New York City: International Polygonics, Ltd.

Greene, D. G. (2008) John Dickson Carr. In C. Rollyson, & F. N. Magill (Ed.), Critical Survey of Mystery and Detective Fiction. Vol. 1. (pp. 251-257). Pasadena, Hackensack: Salem Press, Inc.

Knox, R. A. (1946). A Detective Story Decalogue. In H. Haycraft (Ed.), The Art of Mystery Story (pp. 194-196). New York: Grosset and Dunlap.

Kokot, J. (2015) Między zagadką a prozą obyczajową. Od powieści sensacyjnej lat 60. XIX wieku do utworów Agathy Christie. In A. Gemra (Ed.), Literatura kryminalna. Na tropie źródeł (pp. 75-98). Kraków: Wydawnictwo EMG.

Lotman, Y. M. (1977). Yuri Lotman’s Artistic Space in Gogol’s Prose: A Translation and Introduction (S. Toumanoff, Trans.). Stanford: Department of Slavonic Languages and Literatures, Stanford University.

Mighall, R. (1999). A Geography of Victorian Gothic Fiction. Mapping History’s Nightmares. New York: Oxford University Press.

Ostrowski, W. (1980). Początki powieści kryminalnej w Anglii. Acta Universitas Lodziensis, Nauki Humanistyczno-Społeczne, 99, 85-98.

Rowland, S. (2004). Margery Allingham’s Gothic: Genre as Cultural Criticism. Clues: A Journal of Detection, 23(1), 28-39.

Sayers, D. (1931). Introduction. In D. Sayers (Ed.), Great Short Stories of Detection, Mystery and Horror. Second Series (pp. 11-26). London: Victor Gollancz Ltd.

Smajiæ, S. (2010). Ghost-seers, Detectives, and Spiritualist: Theories of Vision in Victorian Literature and Science. New York: Cambridge University Press.




DOI: http://dx.doi.org/10.17951/lsmll.2019.43.2.61-74
Date of publication: 2019-07-03 11:00:36
Date of submission: 2018-07-04 13:23:20


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