La liberté d’expression et le discours numérique dans « H(A)PPY » de Nicola Barker

Joseph Andrew Darlington

Résumé


L'article contient uniquement le résumé en anglais.

Mots-clés


Digital writing; graphic surface; free speech; dystopia; experimental writing

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PDF (English)

Références


Barker, N. (2017). H(A)PPY. London: Heinemann.

Barry, K. (2018). H(A)PPY. The Goldsmiths Prize. Retrieved October 10, 2019, from https://www.gold.ac.uk/goldsmiths-prize/prize2017/happy/.

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Jordan, J. (2017, July 14). “H(a)ppy” by Nicola Barker Review – Visionary satire of a new information age. The Guardian. Retrieved June 14, 2020, from https://www.theguardian.com/books/2017/jul/14/happy-nicola-barker-review-science-fiction-dystopian-vision.

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Stoughton, C. (2018). Free speech and censorship on campus. HEPI: Occasional Paper, 21. Retrieved June 16, 2020, from https://www.hepi.ac.uk/wp-content/uploads/2019/06/Free-Speech-and-Censorship-on-Campus.pdf.

Tonkin, B. (2017, July 21). H(A)PPY by Nicola Barker — Everybody Hertz. The Financial Times. Retrieved June 16, 2020, from https://www.ft.com/content/3a758f6e-67de-11e7-9a66-93fb352ba1fe.

Wachter-Boettcher, S. (2017). Technically Wrong. New York: Norton.

Warnick, B. (1998). Rhetorical criticism of public discourse on the Internet: Theoretical implications. Rhetoric Society Quarterly, 28(4), 73-84.

Webster, H. C. (1934). Facing futility: Aldous Huxley’s really brave new world. The Sewanee Review, 42(2), 193-208.

Zamyatin, Y. (1924). We (G. Zilboorg, Trans.). New York: E.P. Dutton.




DOI: http://dx.doi.org/10.17951/lsmll.2020.44.2.99-112
Date of publication: 2020-07-14 13:48:37
Date of submission: 2020-02-13 13:51:19


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Droit d'auteur (c) 2020, Joseph Andrew Darlington

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