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| Issue |
Title |
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| Vol 41, No 1 (2023) |
Fryderyk Moritz's Collaborators – Franciszek Malewski, Tomasz Zan, Onufry Pietraszkiewicz and ... "the little-known printer" Siemion Seliwanowski in the Philomaths’ Correspondence |
Abstract
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Małgorzata Król |
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| Vol 40, No 2 (2022) |
When Time Ceases to Exist. On Maria Konopnicka’s "Na rynku "Not Only in a Time Perspective |
Abstract
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Beata K. Obsulewicz |
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| Vol 39, No 1 (2021) |
Preserved Fragment of the Autograph of "Pan Graba" by Eliza Orzeszkowa – Editorial Work |
Abstract
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Agnieszka Bąbel, Agata Grabowska-Kuniczuk |
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| Vol 39, No 1 (2021) |
Ferdinand Hoesick’s Artistic Beginnings and Scientific “Written Life” – in the Margin of the Short Story "The Young Wife of an Old Husband. From the Physician’s Memoirs" |
Abstract
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Paulina Przepiórka |
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| Vol 39, No 1 (2021) |
“Cross it out or I won't print it”. Autograph of a Fragment of "Pan Graba" as a Document of the Writing Methods of Young Eliza Orzeszkowa and the Author's Relationship with the Editors in the Light of Her Correspondence with Józef Sikorski |
Abstract
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Agata Grabowska-Kuniczuk, Agnieszka Bąbel |
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| Vol 39, No 1 (2021) |
The Unknown Manuscript by Konstancja Biernacka née Małachowska Entitled "Polish Ossian, or a Contemporary Polish Woman’s Collection for Her Grandson, Paweł Biernacki" |
Abstract
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Małgorzata Chachaj |
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| Vol 38, No 1 (2020) |
Aleksander Świętochowski’s “Damian Capenko”. The Struggle with the Legend |
Abstract
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Beata K. Obsulewicz |
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| Vol 34, No 1 (2016) |
Physiognomic signs in positivism – the case of Dziwadła by Józef Ignacy Kraszewski |
Abstract
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Aleksandra Agnieszka Kozłowska |
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| Vol 34, No 1 (2016) |
Comic “Characters” of Provincial Gentry in the Cycle Ostatni z Nieczujów (The Last of the Nieczujas) by Zygmunt Kaczkowski |
Abstract
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Katarzyna Puzio |
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