Transmedia Narratives: A Critical Reading and Possible Advancements

Gergana Markova, Kalin Kalinov

Streszczenie w języku polskim


The transmedia narratives are an emerging phenomenon premised on a number of technological, economic and social changes. The concept is employed for image-related identity building, provoking interest in both academic research and practice. The present article outlines a structured interdisciplinary approach as a basis for a critical review of transmedia narratives which is essential in our understanding of their nature and possibilities.


Słowa kluczowe


transmedia narratives, storytelling, identity building, specifics

Pełny tekst:

PDF (English)

Bibliografia


Barthes, R. 1977. Introduction to the Structural Analysis of Narratives, [in:] A Barthes Reader, S. Sontag (ed.), Hill & Wang, New York.

Berger, A. A. 1998. Seeing Is Believing: An Introduction to Visual Communication. Mayfield Publishing Company, New York.

Bernardo, N. 2011. The Producer’s Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories across Multiple Platforms, Beactive Books, Lisbon-London-Dublin-Sao Paulo.

Budelmann, K., Yang K., Wozniak, C. 2010. Brand Identity Essentials: 100 Principles for Designing Logos and Building Brands. Rockport Publishers, Beverly.

Campbell, Joseph. 2008. The Hero with a Thousand Faces, Joseph Campbell Foundation, Novato.

Davenport, G., S. Agamanolis, B. Barry, B. Bradley, and K. Brooks. 2000. Synergistic Storyscapes and Constructionist Cinematic Sharing, “IBM Systems Journal” 39 (3–4):456–69, http://ieeexplore.ieee.org/ielx5/5288519/5387004/05387011.pdf?tp=&arnumber=5387011&isnumber=5387004 (access 11.10.2016).

Davidson, D. 2011. Cross-Media Communications: An Introduction to the Art of Creating Integrated Media Experiences, ETC Press, Pittsburgh.

Evans, E. 2011. Transmedia Television: Audiences, New Media and Daily Life, Routledge, New York.

Flanagan, M., Livingstone, A., McKenny, M. 2016. The Marvel Studios Phenomenon : Inside a Transmedia Universe, Bloomsbury Academic, New York and London, http://www.bloomsburycollections.com/book/the-marvel-studios-phenomenon-inside-a-transmedia-universe (access 12.10.2016).

Freud, S. 1985. Psychopathic Characters on the Stage [in:] Pelican Freud Library 14: Art and Literature, A. Dickson (ed.), Penguin, London.

Genette, G. 1988. Narrative Discourse Revisited, Cornell University Press, Ithaca.

Genette, G. 1980. Narrative Discourse, Blackwell, Oxford.

Giovagnoli, M. 2011. Transmedia Storytelling: Imagery, Shapes and Techniques, ETC Press, Pittsburgh.

Griffiths, Alison. 2008. Shivers down Your Spine : Cinema, Museums, and the Immersive View, Columbia University Press, New York.

Gurău, C. 2008. The Influence of Advergames on Players’ Behaviour: An Experimental Study, “Electronic Markets” 18 (2):106–16, http://www.tandfonline.com/doi/abs/10.1080/10196780802044859 (access 03.09.2016).

Hayes, G. P. 2011. How to Write a Transmedia Production Bible. Screen Australia, http://videoturundus.ee/bible.pdf (access 03.09.2016).

Heeter, C. 2000. Interactivity in the Context of Designed Experiences, “Journal of Interactive Advertising”, http://gel.msu.edu/carrie/publications/interactivity_in_context2000.pdf (access 09.02.2016).

Herman, D., Jahn, M., and Ryan, M.-L. (eds.). 2004. Encyclopedia of Narrative Theory, Routledge, London.

Hodge, B., Tripp, D. 1986. Children and Television : A Semiotic Approach, Stanford University Press, Stanford.

Hoek, M., Theune, M., Linssen, J. 2014. Generating Game Narratives with Focalization and Flashbacks, [in:] Proceedings of the AIIDE 2014 Workshop on Games and Natural Language Processing 9–14, https://www.aaai.org/ocs/index.php/AIIDE/AIIDE14/paper/viewFile/9081/9030 (access 09.02.2016).

Hovious, A. S. 2016. Transmedia Storytelling: The Librarian’s Guide, Libraries United, Santa Barbara.

Jenkins, H. 2006. Convergence Culture: Where Old and New Media Collide, New York University Press, New York.

Jenkins, H., Ford S., and Green J. 2013. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York University Press, New York and London.

Kaftandjiev, H. 2007. Герои И Красавици В Рекламата [Heroes and Beauties in Advertising], Ciela, Sofia.

Kaftandjiev, H.. 2008. Хармония В Рекламната Комуникация [Harmony in Advertising Communication]. 6th ed., Ciela, Sofia.

Kalyanaraman, S., Sundar, S. 2006. The Psychological Appeal of Personalized Content in Web Portals: Does Customization Affect Attitudes and Behavior?, “Journal of Communication” 56 (1):110–32, http://doi.wiley.com/10.1111/j.1460-2466.2006.00006.x (access 02.10.2016).

Lombard, M., Snyder-Duch, J. 2001. Interactive Advertising and Presence: A Framework, “Journal of Interactive Advertising” 1 (2):56–65.

Markova, G. 2016. “Приложение на новите технологии в маркетинговите комуникации: Съвременни знакови ситуации [Application of Modern Technologies in Marketing Communications: Contemporary Sign Situations].” Sofia University “St. Kliment Ohridski” (unpublished).

Martin, B., Ringham, F. 2000. Dictionary of Semiotics, Cassell, London and New York.

Miller, C. H. 2014. Digital Storytelling: A Creator’s Guide to Interactive Entertainment, 3rd ed., Focal Press, Burlington, MA.

Oatley, K. 1995. A Taxonomy of the Emotions of Literary Response and a Theory of Identification in Fictional Narrative, “Poetics” 23(1–2): 53–74.

Pool, I. de Sola. 2009. Technologies of Freedom, Harvard University Press, Cambridge, Massachusetts and London.

Pratten, R. 2015. Getting Started with Transmedia Storytelling: A Practical Guide for Beginners. 2nd ed., CreateSpace Independent Publishing Platform, New York.

Producers Guild of America. 2010. “Code of Credits - New Media - Producers Guild of America.” Retrieved November 23, 2016 http://www.producersguild.org/?page=coc_nm (access 24.09.2016).

Propp, V. 1968. Morphology of the Folktale (Excerpts) University of Texas Press, Austin.

Ruppel, M. 2009. Narrative Convergence, Cross-Sited Productions and the Archival Dilemma, “Convergence: The International Journal of Research into New Media Technologies” 15 (3): 281–98.

Rutledge, P. 2011. Transmedia Storytelling: Neuroscience Meets Ancient Practices, http://mprcenter.org/blog/2011/05/transmedia-storytelling-neuroscience-meets-ancient-practices/ (access: 22.10.2016)

Simmons, A. 2015. Whoever Tells the Best Story Wins: How to Use Your Own Stories to Communicate with Power and Impact. 2nd ed. AMACOM Div American Management Association, New York.

Swartjes, I., Theune, M.. 2006. A Fabula Model for Emergent Narrative, http://link.springer.com/chapter/10.1007/11944577_5 (access 23.10.2016).

Von Stackelberg, P. 2011. Creating Transmedia Narratives: The Structure and Design of Stories Told Across Multiple Media, State University of New York, New York.

Walker, J. 2004. Distributed Narrative: Telling Stories across Networks, [in:] Association of Internet Researchers 5.0., http://www.academia.edu/download/30234942/aoir-distributednarrative.pdf (access 15.09.2016).

Whitebrook, M. 2014. Identity, Narrative and Politics, Routledge, London




DOI: http://dx.doi.org/10.17951/k.2017.24.1.73
Data publikacji: 2018-06-07 12:09:56
Data złożenia artykułu: 2016-12-01 00:41:31


Statystyki


Widoczność abstraktów - 1544
Pobrania artykułów (od 2020-06-17) - PDF (English) - 978

Wskaźniki



Odwołania zewnętrzne

  • Brak odwołań zewnętrznych


Prawa autorskie (c) 2018 Gergana Markova Kalin Kalinov

Creative Commons License
Powyższa praca jest udostępniana na lcencji Creative Commons Attribution 4.0 International License.