Catalogue de vente aux enchères commenté : « Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry » de Leanne Shapton
Résumé
L'article contient uniquement le résumé en anglais.
Mots-clés
Texte intégral :
PDF (English)Références
Barthes, R. (1977). Rhetoric of the image. Essays selected and translated by Stephen Heath. Image – Music – Text. (pp. 32–51). London: Fontana Press.
Brosch, R. (2018). Ekphrasis in the digital age: Responses to image. Poetics Today, 39(2), 225–243. DOI: 10.1215/03335372-4324420.
Brown, B. (2001). Thing theory. Critical Inquiry, 28(1), 1–16. DOI: 10.1086/449030.
Cosgrove, D. (2001). Apollo’s Eye: A Cartographic Geneology of the Earth in the Western Imagination. Baltimore, London: The Johns Hopkins University Press.
Fjellestad, D. (2018). Testing the limits: Leanne Shapton’s ekphrastic assemblage. Poetics Today, 39(2), 337–357. DOI: 10.1215/03335372-4324493.
Hallet, W. (2009). The multimodal novel: The integration of modes and media in novelistic narration. In S. Heinen, & R. Sommer (Eds.), Narratology in the Age of Cross-Disciplinary Narrative Research (pp. 129–153). Berlin, New York: De Gruyter.
Jakubowski, Z. (2013). Exhibiting lost love: The relational realism of things in Orhan Pamuk’s The Museum of Innocence and Leanne Shapton’s Important Artifacts. In D. Birke, & S. Butter (Eds.), Realisms in Contemporary Culture (pp. 124–145). Berlin, New York: De Gruyter. DOI: 10.1515/9783110312911.124.
Kennedy, R. (2009). A novelist’s catalog of lives on the block. The New York Times, February 4. Retrieved January 4, 2022, from https://www.nytimes.com/2009/02/05/books/05cata.html.
Kress, G., & van Leeuwen, T. (2001). Multimodal Discourse: The Modes and Media of Contemporary Communication. London: Hodder Education.
Neef, S., & van Dijck, J. (2006). Sign here! Handwriting in the age of technical reproduction: Introduction. In S. Neef, J. van Dijck, & E. Ketelaar (Eds.), Sign Here! Handwriting in the Age of New Media (pp. 7–19). Amsterdam: Amsterdam University Press. DOI: 10.1017/CBO9781107415324.004.
Shapton, L. (2009). Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry. London, Berlin, New York: Bloomsbury.
Shields, D. (2010). Reality Hunger: A Manifesto. London: Hamish Hamilton.
Sontag, S. (1977). On Photography. New York: Picador.
Sturken, M., & Cartwright, L. (2001). Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press.
DOI: http://dx.doi.org/10.17951/lsmll.2022.46.3.25-34
Date of publication: 2022-10-31 18:06:35
Date of submission: 2022-05-13 12:51:24
Statistiques
Indicateurs
Renvois
- Il n'y a présentement aucun renvoi.
Droit d'auteur (c) 2022, Grzegorz Maziarczyk
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International.