|  | 
		
						| Issue | Title | 
		|  | 
																							
								| Vol 49, No 3 (2025): Critical Epistemologies from Latin America and Spain in the 21st Century (Guest Editors: Katarzyna Moszyńska-Dürst & Mariola Pietrak) | Old Masculinities, New Monstrosities: "Dientes rojos" (2021) by Jesús Cañadas and Its Reinterpretation of Noir and Supernatural Horror | Abstract
													
																							 PDF | 
			
				| Miguel Carrera Garrido | 
			
			|  | 
																							
								| Vol 47, No 4 (2023): Stories and Conflicts. Narratives of War in Contemporary Literature (Guest Editor: Anna Maziarczyk) | Stories and conflicts. An Introduction | Abstract | 
			
				| Anna Maziarczyk | 
			
			|  | 
																							
								| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) | Crisis Managed: Forging Postcapitalist Futures in Kim Stanley Robinson’s  Recent Political Science Fiction | Abstract
													
																							 PDF | 
			
				| Anna Gilarek | 
			
			|  | 
																							
								| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) | The Californian “Trash World:” Crisis and Catastrophe  in Philip K. Dick’s Novels | Abstract
													
																							 PDF | 
			
				| Felix Purat | 
			
			|  | 
																							
								| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) | Ian Rankin: A diachronic Study of the City of Edinburgh | Abstract | 
			
				| Florence Dujarric | 
			
			|  | 
																							
								| Vol 46, No 4 (2022): Travel narratives. Anabase and catabase from Romanticism (Guest Editors: Carlota Vicens-Pujol & Jolanta Rachwalska von Rejchwald) | "L’Italie pittoresque" between Travels, History, Narration and Fiction: Local Identities Sought and Discovered by the Other | Abstract | 
			
				| Marcella Leopizzi | 
			
			|  | 
																							
								| Vol 46, No 3 (2022): Beyond Language: Intermediality and Multimodality in Literature and Literary Studies (Guest Editors: Dominika Bugno-Narecka, Heidrun Führer & Miriam de Paiva Vieira) | Writing on Walls: Intermedial Qualities of the Wall in Timothy Findley’s "Famous Last Words" | Abstract
													
																							 PDF | 
			
				| Aurélie Zurbrügg | 
			
			|  | 
																							
								| Vol 43, No 2 (2019): Gothic Explorations. Studies in Literature and Film  (Guest Editors: Anna Kędra-Kardela, Aleksandra Kędzierska & Andrzej Sławomir Kowalczyk) | John Dickson Carr’s Early Detective Novels and the Gothic Convention. | Abstract
													
																							 PDF | 
			
				| Joanna Kokot | 
			
			|  | 
																							
								| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) | Reality vs. Fiction in "Khalil" by Yasmina Khadra | Abstract | 
			
				| Thomas Diette | 
			
			|  | 
																							
								| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) | Ekphrastic Insets in Welsh-Language Fiction 1992-2016: An Overview | Abstract
													
																							 PDF | 
			
				| Aleksander Bednarski | 
			
			|  | 
																							
								| Vol 43, No 2 (2019): Gothic Explorations. Studies in Literature and Film  (Guest Editors: Anna Kędra-Kardela, Aleksandra Kędzierska & Andrzej Sławomir Kowalczyk) | The Dialogic Mode in Jane Austen’s ”Northanger Abbey”: The Manorial Gothic Meets a Subversive Novel of Manners | Abstract
													
																							 PDF | 
			
				| Urszula Terentowicz-Fotyga | 
			
			|  | 
																							
								| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) | Dominique Fernandez: Psychobiographical Criticism or Psychobiographical Fiction? | Abstract | 
			
				| Simona Jișa | 
			
			|  | 
																							
								| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) | Life, Literature and Fictional Memories in Perec’s Narratives | Abstract | 
			
				| Rodrigo Ielpo | 
			
			|  | 
																							
								| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) | Autobiography and "Genre" Transgression in Malika Mokeddem’s Works | Abstract | 
			
				| Fizia Hayette Mokhtari | 
			
			|  | 
																							
								| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) | Alterity, First-Person Narratives and Memory in Paul Auster’s Works | Abstract | 
			
				| Mehdi Kochbati | 
			
			|  | 
																							
								| Vol 41, No 1 (2017): Lenses on English Literature and Teaching English (Guest Editors: Ferit Kilickaya & Mustafa Zeki Cirakli) | Muriel Spark’s Employment of Burlesque: Parody of Detective Fiction in Not to Disturb | Abstract
													
																							 PDF | 
			
				| Serkan Ertin | 
			
			|  | 
							
				| 1 - 16 of 16 Items |  |