La pause en tant que figure stylistique dans les récits choisis d’Ernest Hemingway

Hakan Gültekin, Mustafa Zeki Cirakli

Résumé


Le numéro contient uniquement les résumés en anglais.

Mots-clés


Ernest Hemingway; pause; resistance; nothingness, ideology

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PDF (English)

Références


Brown, G. & Yule, G. (1983). Discourse Analysis. Avon: Cambridge University Press.

Cutting, J. (2000). Analysing the language of discourse communities. Elsevier.

De Meneses, F. R. (2001). Franco and Spanish Civil War. London: Routledge.

Garwick, J. D. (1999). Silence as American Text. Clear Lake: The University of Houston.

Gibson, D. R. (2005). Taking Turns and Talking Ties: Networks and Conversational Interaction. American Journal of Sociology, 110, 1561-1597.

Goodheart, E. (2010). Critical insights: Ernest Hemingway. Salem Publishing.

Hemingway, E. (1944). The first forty nine stories. Oxford: Arrow Publishing.

Hemingway, E. (1996). A Moveable feast. New York: Scribner.

Herman, V. (1995). Dramatic discourse: Dialogue as interaction in plays. Routledge.

Herman, V. (1998). Turn management in drama. In J. Culpeper & M. Short (Eds.), Exploring the Language of Drama: From Text to Context (pp. 19-34). New York:Routledge.

Hirsch, R. (1989). Studies in face-to-face interactive argumentation under differing turn taking conditions, Unpublished doctoral dissertation. University of Göteborg, Sweden.

Leech, G. and Short, M. (1981). Style in fiction: A linguistic introduction English fictional prose. Pearson Education Limited.

Perry, R. (2007). Race and racism. London: Palgrave Mcmillan.

Reynolds, M. (2000). Ernest Hemingway, 1899-1961: A brief biography. In L. Wagner Martin (Eds.), A Historical Guide to Ernest Hemingway (pp. 15-53). Oxford: Oxford University Press.




DOI: http://dx.doi.org/10.17951/lsmll.2017.41.1.20
Date of publication: 2017-07-04 09:02:29
Date of submission: 2016-11-15 09:42:53


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Droit d'auteur (c) 2017, Mustafa Zeki Cirakli

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